Friday, December 24, 2010

Almost time for the party

The Magnificat: Mary’s Song of Praise

Mary responded,

“Oh, how my soul praises the Lord.
How my spirit rejoices in God my Savior!
For he took notice of his lowly servant girl,
and from now on all generations will call me blessed.
For the Mighty One is holy,
and he has done great things for me.
He shows mercy from generation to generation
to all who fear him.
His mighty arm has done tremendous things!
He has scattered the proud and haughty ones.
He has brought down princes from their thrones
and exalted the humble.
He has filled the hungry with good things
and sent the rich away with empty hands.
He has helped his servant Israel
and remembered to be merciful.
For he made this promise to our ancestors,
to Abraham and his children forever.”

Luke 1:46-55

Thursday, December 23, 2010

When Christmas Comes

Only God could have thought of Christmas. Its beauty is beyond the wit of mortals, so simple in its sublimity, so homey, yet so heavenly. On a tapestry woven of stable straw and starlight it unveils a picture to soften and purify the heart and to bring us back from a wisdom that is not wise, because it is hard, unholy, and unhopeful. Man would have made this event a pageant, its stage directions as follows:
Array of Great ones
The Army marches by
Fanfare of trumpets
Enter the King!

Man-made pageants pass and fade, but God works in slower and more secret ways. He blows no trumpet; He rings no bell. He begins within, seeking His ends by quiet growth, and by a strange power men call weakness, a wisdom often mistaken for folly. Man has one answer to every problem - force; but that is not the way of God. He did not send an army to conquer the world; He sent a babe to make a woman cry. The divine method is different: Instead of noise and parade there was -
The crowded Inn
A Mother and a Babe
No cradle, just a manger
A man stunned by wonder
A wandering Star.

Such wisdom bends the knee; such beauty breaks the heart - and mends it. It is a scene to sanctify the world, as if to teach us that God enters the life of man by lowly doors, attended by starry ideals and simple shepherd sentiments - the birth of Jesus, just "one of the children of the year." The are wise men who bow at such a shrine, linking a far-off pilgrim star with the cradle of a little child. By such faith, men are truly wise, knowing that no hope is too high, no dream too holy to be fulfilled - even the hope and dream of "peace on earth among men of good-will."

. . . . . .

Must we admit that Christmas is only a fairy story, heart-woven and dream-spun, and that the gray shadows which life casts over us are the grim truth? Is it no more than a figment of fancy, tender and lovely, fragrant with old memories, enshrined in the love and armored with the wonder of child-hood - a day of make-believe tugging at our hearts, with the pull of playtime? ...

No, Christmas is both a fact and a faith; but even if it were only for a brief season of good-will, a holiday from our forgetfulness of others, or just a family festival, it would be welcome. At least it is a day of poetry in the midst of drab days of prose. ...

If man is a being in whom God can dwell, as Christmas affirms, if his soul may even be a cradle of the Eternal Love, then our highest social visions have hope of fulfillment. Then, indeed, we have not only a Divine Ally working with us, but also a hidden ally, potential and prophetic, in "the better angels of our nature," to which we do not appeal in vain. ...

For Christmas is the theology of a civilization yet to be. Like the early Christians, we must live in an air of expectancy, as of something immense, impending, of a profound change to take place. ... Men of spiritual awareness in all lands feel that a time has come in the history of man when he must take a step into a higher range of being, or else lose and slip back. ... To save his life he must reverse the old order of the brute, and assert the diviner law of love, not as a poetic faith, but as the actual basis of his life. Only so can our wounded world be lifted out of the shadow of strife and cruelty into the light of justice and joy. ...

Christmas is a prophetic day, looking not so much backward, as forward. It is a history of the future, of an order of life not yet attained, of a religion not yet realized. To our dull eyes it seems visionary; but to God it is a vision of a world yet to be. ...

God abides in a terrible patience
Unangered and unworn,
And still for the child that was taken
A child is born.

Over an armed camp, in a hard old Roman world, the song of the angels rang out, proclaiming "Peace on earth among men of good-will." How far off it must have seemed on that night! How far off it seems today! Yet it will come true. It is not a myth; it is not a mockery. Surviving ages of slaughter, it still haunts us, proving its immortality. It is not a mortal melody, but a divine symphony. Because it is far off we know that it is not our music, but was sent into the soul of man by One who is as far above us as the stars are above the mists.

It is a song out of the heart of God for a hungry world. It means much that we can hear it, despite gray fears and grim facts, forever singing above the din of strife; and, hearing it, take up its strain in the busy world of today. Not in our day, not in many days perhaps, but at last it will be fulfilled. The world will fill up with men of good-will who keep step with its music and live by its law - men who know that man was made for love, because God is love, and that love and joy must blend in the final note of the great world-song.

(Briefed from "When Will Christmas Come?" by Joseph Fort Newton, in The Atlantic Monthly, December 1925. Used by permission of the author and publishers. Reprinted in "Christ and the Fine Arts" by Cynthia Pearl Maus, Harper and Brothers Publishers, London and New York, 1938, page 48-50.)

contributed by Jeremy

Wednesday, December 22, 2010

It is as if Infancy were the Whole of Incarnation - Luci Shaw

One time of the year
the new-born child
is everywhere,
planted in madonnas' arms
hay mows, stables
in palaces or farms,
or quaintly, under snowed gables,
gothic angular or baroque plump,
naked or elaborately swathed,
encircled by Della Robia wreaths,
garnished with whimsical
partridges and pears,
drummers and drums,
lit by oversize stars,
partnered with lambs,
peace doves, sugar plums,
bells, plastic camels in sets of three
as if these were what we need
for eternity.

But Jesus the Man is not to be seen.
We are too wary, these days,
of beards and sandalled feet.

Yet if we celebrate, let it be
that he
has invaded our lives with purpose,
striding over our picturesque traditions,
our shallow sentiment,
overturning our cash registers,
wielding his peace like a sword,
rescuing us into reality
demanding much more
than the milk and the softness
and the mothers warmth
of the baby in the storefront creche,
(only the Man would ask
all, of each of us)
reaching out
always, urgently, with strong
effective love
(only the Man would give
his life and live
again for love of us).

Oh come, let us adore him-
Christ--the Lord.


Tuesday, December 21, 2010

The Nativity - Rory Holland

Over the years our family has developed quite a collection of Nativity Scenes – out of wood, wire, ceramic, and even palm leaves – all depicting that same frozen moment of time of just after the birth of Jesus. Around this time the boxes are brought up from the basement, the pieces unwrapped and then each put in their place on the mantel or the shelves around our home.

What strikes me is the wide range of expressions of that event. The Guatemalan Jesus is swaddled in bright fabric, the Ugandan Jesus has distinct African features, while the Italian Jesus looks like a very small adult with arms commandingly outstretched. In each case the reality has been shaped by the perceptions of the artist.

We all want Jesus to be a certain way, and oddly the Bible seems to provide enough latitude for that to be so – otherwise how would we end up with such a wide variety of denominations across the spectrum all claiming to worship ‘the same’ Jesus.
There are a couple of occasions in the stories about Jesus’ life where the question actually comes up. Once, after he calmed the waters his friends asked “who is this man?, or later on even Jesus asks them “who do you say I am?”

I am honestly not sure who Jesus is, or who he was supposed to be when he was born. Sure, I read the definitive statements in the Bible, but those don’t actually come from Him, they come from people trying to figure out Him. Jesus allowed others to define him, but he didn’t spend much time on it himself.

You have to assume, as I look at one of the little scenes in my living room with the shepherds and the wise men, and even Mary and Joseph, at the time they were asking that same question – Who is this little guy?


from "An Examined Life" | December 2 2009

Monday, December 20, 2010

Annunciation


Fra Angelico
Fresco
c. 1440

contributed by Shari

Sunday, December 19, 2010

A Northern Nativity - William Kurelek

contributed by Aimee



Ukrainian-Canadian artist, William Kurelek's "A Northern Nativity" is perhaps my favorite Christmas book. The paintings depict various Canadian scenes and people groups that a 12 year old boy imagines the Christ child being born into. "A boy imagines that the nativity takes place in northern snows. He dreams that the Christ child is born to Eskimos, to Indians, to Blacks, that the Nativity takes place in a fisherman's hut, a garage, a cowboy's barn, that the holy family is given refuge in a city mission, a grain barn, and a country school." (from the jacket) There is such detail in the paintings. The Holy family is on the fringe, and usually look cold. Yet there is a sense of stillness and peace. And joy, for those who notice and welcome them. I highly recommend tracking down a copy of this book, from the library or for your own collection.




If you'd like to see more images from the book I found a youtube video of the the images set to music. (click here) It gives you a feel for the paintings, but the book has text that accompanies each painting, so don't miss out on that! Also the National Film Board did a short work on Kurelek, you can find that here if you are interested.